"Light and Shadow" one of Daido Moriyama photography book that was
originally published in 1982 is revised in April 2009 from Kodansha.
"Light and Shadow"
H180mm×W111mm
204 pages
1890 yen
The exhibition is consisted by two parts, based on one theme "light
and Shadow" including the photographs of both 1982 and recent work.




Mon. April 24 - Sun. May 31
11:00-19:00
BLD Gallery
8F 2-4-9 Ginza, Chuo-ku, Tokyo 104-0061
originally published in 1982 is revised in April 2009 from Kodansha.
"Light and Shadow"H180mm×W111mm
204 pages
1890 yen
The exhibition is consisted by two parts, based on one theme "light
and Shadow" including the photographs of both 1982 and recent work.




Mon. April 24 - Sun. May 31
11:00-19:00
BLD Gallery
8F 2-4-9 Ginza, Chuo-ku, Tokyo 104-0061



As an event of the Japan-Brazil Year of Exchange, which marks the centennial of Japanese immigration to Brazil, Museum of Contemporary Art, Tokyo (MOT) is employing photography as a medium of exchange between Brazil and Japan. MOT will hold an exhibition of works by Daido Moriyama and Miguel Rio Branco, a Brazil-based photographer affiliated with Magnum Photos. They share a passion for photographing the city and people who live there, while each having his own distinctive worldview. For this exhibition, Daido Moriyama has photographed Sao Paulo, and Miguel Rio Branco has photographed Tokyo. At the exhibition, their differing perspectives and cultural backgrounds will intersect and reveal aspects of Japan and Brazil heretofore unknown. Seeing how they transform the small, easily overlooked moments of everyday life into scenes of deep significance, we too will be drawn into an investigation of reality in contemporary life.
It was 34 years ago, back in 1972, that I came out with the self-published photo journal "Kiroku (record)". At that time, I was busy with all sorts of work for magazines. Partly because of a daily feeling inside that I shouldn't let myself get carried away by it all, I came up with the idea of a small, self-published personal photo journal. Without any ties to work or any fixed topic, I just wanted to continue publishing a 16-pages booklet with an arbitrary selection of favorite photos among the pictures I snapped from day to day. By nature, it was directed first and foremost to myself rather than other people. I wanted a simple, basic title, so I called it "Kiroku" .